Salt Water Farm's Annemarie Ahearn + Sheldon Ceramics

“I love two things about cooking, really. I love how visceral it is: touching all of the senses. The smells alone keep me at attention for hours on end. And I love what it calls for in the final act: a gathering of people to share food and conversation, something that has been so important to people for millennia.”

Annemarie Ahearn of Salt Water Farm, photographed as part of a collaboration with Sheldon Ceramics.

All images © Greta Rybus

High Ridge Farm Photographed for Remodelista

Katee Lafleur and Andrew White found an old farm property on Maine FarmLink, a division of Maine Farmland Trust, when they were living in Vermont and looking to make a move. “We felt like we were suddenly in on the secret that is the midcoast of Maine,” Lafleur says. As they set about tilling the land—they grow vegetables, herbs, and flowers, and raise chickens and woodland hogs—they also turned their attention to the 1835 farmhouse, drawing from instinct and learning as they went. “I was drawn to the simplicity and bare-bonedness,” Lafleur says. They took the walls down to the plaster, sourced extraordinary vintage finds from Craigslist and Goodwill, and added hides and bleached-white bones, relics of their butchered animals. The result: stripped-down and striking interiors that, like the farm, are a constant work in progress.

New work for High Ridge Farm for Remodelista. Caption adapted from writer and editor Annie Quigley's story, which you can read (with more images from the home and farm here). 

All images © Greta Rybus

Blending Culture and Community to Combat Addiction: the Penobscot Healing to Wellness Court

The Penobscot Healing to Wellness Court has many of the basic functions of state drug courts, which seek to foster recovery rather than punitive actions. Like most courts, the Healing to Wellness Court provides intensive case management and counseling, frequent drug testing, and a balance of sanctions and incentives. The tribe’s court is different; incorporating culture and tradition as a part of recovery. Each court session starts with a prayer and a smudging- burning sage and traditional medicines. Participants are expected to attend regular drumming circles, language classes, and cultural events and activities. And, perhaps most importantly, a central tenant of the program is to focus as much on community healing as on individual healing.

New assignment work for independent nonprofit journalism group Pine Tree Watch, published in the Bangor Daily News, story written by Chelsea Conaboy

All images © Greta Rybus

India Part Two: Bangalore to Mysore for Lodestars Anthology

This May, at the edge of India's hottest season, I traveled from Bangalore to Mysore for UK-based travel magazine Lodestars Anthology. With Kamalan Travels as my guide, I visited palaces and temples, sacred river banks and thriving silkworm farms. The area is more popular with local tourists than foreign visitors, with thousands of Indian visitors each day. 

Read more about Lodestar Anthology's India Issue here

All images © Greta Rybus

Documenting Stories of Lubec, Maine with the First Coast

In May, I collaborated with audio reporter and storyteller Galen Koch to document stories in Lubec, Maine, a town of under 1,300 people in Nothern Maine. The project was part of Galen's project The First Coast. 

I asked Galen to send me some official information about her project. It’s a huge endeavor with really unique and meaningful goals, so I wanted to get it right. This is what she told me: “The First Coast tells stories by Mainers, for Mainers. Traveling to three towns along the Maine coast each year, the TFC team gathers interviews, archival audio + video, soundscapes, and photographs to be made into site-specific exhibits that aim to give stories back to the community.  Traveling in a renovated 1976 Airstream, TFC stays in each Maine town for one month - engaging community members in conversation about the place they live in year-round. The First Coast is an initiative to collect sounds, stories, images, and ideas that contribute to a collective coastal memory and seek to reconstruct existing narratives and mythologies of both Maine and Mainers.”

All images © Greta Rybus for the First Coast

Brooke Beaney of Judith Maine, Muse of Anaak

"My husband’s grandparents (Reamer and Louise) first went to Cliff Island in 1933. It was during the depression, they had no money. They were invited to spend their honeymoon in the family cottage of Reamer’s college roommate. They fell in love with the Island and started going there every summer to rent a cottage near the one where they honeymooned. In 1945 they bought two shore-lined acres of land on the Eastern side of the Island and a single-car garage from someone on the opposite side of the Island, which they somehow transported across the island to convert into their very own first Cliff Island cottage...

... I always say: I’m so lucky to have had the opportunity to start and grow my business in Maine. While I had a theory, I didn’t realize just how perfect it would be for me until we got going. I get to do what I’ve always wanted to do but with a certain amount of space and time that I don’t think I would ever have had in NY. In turn, we can offer a shopping experience to our customers at that same pace, with that same amount of space to explore and try new things. All of this, plus I get to smell and hear the sound of the ocean when I pull into my driveway at the end of the day." - Brooke Beaney

I recently photographed my dear friend Brooke Beaney, the vision behind Judith Maine for Anaak on Cliff Island with her family at 21 weeks pregnant. 

All images © Greta Rybus for Anaak

Climate Change and the Lobster Industry, photographed for the New York Times

"Since the early 1980s, climate change had warmed the Gulf of Maine’s cool waters to the ideal temperature for lobsters, which has helped grow Maine’s fishery fivefold to a half-billion-dollar industry, among the most valuable in the United States. But last year the state’s lobster landings dropped by 22 million pounds, to 111 million.

Now, scientists and some fishermen are worried that the waters might eventually warm too much for the lobsters, and are asking how much longer the boom can last.“Climate change really helped us for the last 20 years,” said Dave Cousens, who stepped down as president of the Maine Lobstermen’s Association in March. But, he added, “Climate change is going to kill us, in probably the next 30.”

Since 2015, my personal work has centered around investigating and documenting how climate change impacts people and communities. I was so pleased to have an assignment with the New York Times to photograph how climate change will shape the lobster industry, with excellent writing and reporting by Livia Allbeck-Ripka. 

Read the article in the New York Times here

All images © Greta Rybus for the New York Times 

The Story of Cochineal, photographed with Rebecca Stumpf for Knit Wit

This spring, I teamed up with my friend, fellow photographer Rebecca Stumpf and we traveled to the Canary Islands in search of cochineal. Cochineal is an insect, grown only on cacti and harvested to create hues of reds and pinks. Discovered nearly 200 years ago in the Canary Islands, the islands quickly controlled 90% of the production, generating much of the economic energy throughout the Spanish colonies.

“Cochineal is very important in the Canary Islands. It is our most traditional crop and is in danger of extinction.” Farmer Lorenzo Perez Jr. told us. “Most cochineal farmers are in their seventies or older, the young generation isn’t working in cochineal or as artisans or small producers.” Their company, called Canaturex, is the only cochineal farm certified by the EU. They supply to textile companies and independent artists primarily, but cochineal is also used to color meats, yogurt, ice cream, artificial crab, chewing gum, sweets and beauty products.

Many told us that cochineal was a part of the islands. So, photographers enamored with color and landscapes, we set out to learn more. Rebecca and I met with cochineal farmers, a natural dyer, artist, and activists to learn about cochineal's past and present. The story is now in the latest issue (the last print issue!) of Knit Wit. 

All images © Greta Rybus for Knit Wit

Julie O'Rourke photographed for Cup of Jo

Cup of Jo, a beloved blog with substance run by Joanna Goddard, has an ongoing column about women and their everyday style. They recently featured Julie O'Rourke, designer and founder at Rudy Jude, and I was thrilled to take some images in the tradition of street style. Julie shared some of her own designs and favorite pieces, and how she wears them into her pregnancy with her second child.

Images © Greta Rybus for Cup of Jo

Abdi Nor Iftin photographed for Boston Globe Sunday Magazine

I was first introduced to Abdi Nor Iftin’s story through “This American Life.” The episode, called “Abdi and the Golden Ticket,” chronicled his experience fleeing war and violence in Somalia, only to end up ending up in one of Kenya’s poorest slums. Abdi’s greatest dream was to become an American, and after years of trying, he beat all odds and was given a U.S. visa through a lottery system. The episode ended when Abdi landed in America, here in Maine. He’s since wrote a book, named “Call Me American” which will be released in June. To accompany an excerpt from his book in the Boston Globe Sunday Magazine, I photographed Abdi at his home here in Maine.

Read the excerpt here

All images © Greta Rybus for the Boston Globe Sunday Magazine

India Part One: Kerala, from Varkala to Kochi

I've dreamt of exploring India for years. When I got the opportunity to explore Southern India for Lodestars Anthology, I started to envision a big trip: up North to Rajasthan, perhaps even making my way to Sri Lanka. As I learned more and began my planning, it quickly sank in how enormous and diverse India is. It was impossible to see it all. So, I shifted my thinking. I began to see this trip as the first of many, and decided to focus my time solely on Southern India. First, I explored Karnataka for my assignment (I'll share those images soon!), then flew to Kerala for a week or so of surfing (correction: learning to surf), exploring, and photographing. 

All images © Greta Rybus


Fresh images for Drifter's Wife and Maine and Loire's new space

One of the reasons I love living in Portland, Maine is that it's become a city where people can create new, concept-based spaces and grow. Drifter's Wife and Maine and Loire, run by Orenda and Peter Hale, are a restaurant and wine shop based on natural, simple, and beautiful processes and ingredients. When they expanded into the (much larger) location next door, they created a space with a new, cozy feel. New images of, and for, Drifter's Wife. 

Images © Greta Rybus

Mya Henry photographed for Apiece Apart Woman

"I woke up one day and sensed I was not on the right path. I require a level of spontaneity in my life — I needed a sense of excitement, adventure, and quality that I wasn’t experiencing anymore after 13 years of city life. I’m a strong-minded individual and not afraid of taking a risk. That’s why the notion of picking up, moving to a foreign place, and starting from the beginning would seem crazy to most...yet these are the moments when I feel most alive and empowered." - Mya Henry

Mya Henry and her husband moved from her home in New York City to open their restaurant, Hartwood, in Tulum, Mexico. The restaurant sources all of its ingredients from farms, fishermen, and other producers in the Mayan Riveria. 

Photographed for Apiece Apart Woman, interviewed by Leigh Patterson. Read the full interview here. 

© Greta Rybus for Apiece Apart 

Julie O'Rourke photographed for Apiece Apart Woman

"I grew up on a rocky Downeast beach, some of my earliest memories are of getting my feet stuck in beach clay, or the feeling of accidentally scraping my toenails on the pavement while walking home barefoot. I can easily recall the way light moves through tall spruce trees, or what it feels like to step on a fresh moss sponge, I can smell lobster boats without thinking. I can actually conjure up the smell memory of every boat I’ve ever been on if I think a little harder. Maine is magic in this way; it sits with you, it stews in you. I 100% wear my love of Maine on my can see it in everything I make. Every item of clothing I create, color, or shape is directly connected to a memory, a smell, or a color of something right outside my door. " 
- Julie O'Rourke the creative mind behind Rudy Jude, photographed for Apiece Apart Woman, interviewed by Leigh Patterson. 
Styling by Brooke Beaney of Judith Maine
Read the full interview here

All images © Greta Rybus